DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They will often be craving romantics, with this particular big difference: Buster appears to be a plausible mate, plus the Tramp hardly appears to have a libido, only idealized notions. If their comedies were designed in a more liberated time, it can be done to imagine Keaton in mattress with a lady, but disquieting to consider the Tramp as a sexua